My Favorite Murder with Karen Kilgariff and Georgia Hardstark

Right now there's this author named Riley Sager, who writes these like straight up haunted house books. The ones I'm listening to is called Home Before Dark.

And it's like, you know, this single woman whose like parents wronged her and so she's going back to the house she grew up in. That's like basically the Amityville story that her dad wrote about the house and she doesn't believe it.

It's just like, she's like fuck arounding and finding outing right now in the book. You're like, she's gonna find out. We know. She's gonna.

It's not like the ending is going to be like, and it wasn't haunted.

It's like, and now I love my dad.

The 1974 headline of the New York Times article about the book is titled, 'The Way She Tells The Story, It's A Man Hater's Dream'.

Jeannie McDonough accepts that she might never know why Lane turned out this way or what exactly led him to entering her family's home that hot summer night. But she would never stop wondering. And this curiosity culminates in her writing a book called Caught in the Act, which she co-authors with noted true crime writer Paul Leonardo.

I love the premise so much and it's so entertaining and it's an apocalyptic zombie style book which I love and I know a lot of people love.

And the premise, the hero of the book, humans turn into zombies and a domesticated crow named Shit Turd has to save the world.

It's called Hollow Kingdom by Kira Jane Buxton.

And I'm just enjoying it so much I almost don't care what the ending is. I just wanted to suggest it.

Main sources for this story are a 2000 New Yorker article by Hilton Alves called We Too Made One, a 1994 BBC documentary and a book called The Silent Twins by Marjorie Wallace.

June is now going professionally by June Allison Gibbons and has very recently re-released one of her early novels called The Pepsi Cola Addict.

So the sources used in this story today are a 2003 New Yorker article by a writer named David Gran titled The Old Man and the Gun and a 2018 Treasure Coast News article by Greg and Alice Luckhart entitled Forrest Silva Tucker, Life of a Criminal.

If you want to learn more about why that was, you should read British journalist Ed Conway's book, The Material World.

Again, it's called The Material World by Ed Conway.

And there's a book written by the former New South Wales senior Crown prosecutor Mark Tedeschi. His book about it is called kidnapped.

So that book's called Kidnapped by Mark Tedeschi.

So the main sources used in today's story are the book, The Fearless Mrs. Goodwin by Elizabeth Mitchell,

And the book Women in Blue, 16 Brave Officers, Forensics Experts, Police Chiefs and More by Cheryl Mullenbach.

the Finches were not only established in Covina but elsewhere in Southern California. Three generations were well known and loved by locals for their religious faith, civic responsibility and success as local entrepreneurs.

And when I opened the book, it was the inside was dedicated from Frank Falzone to my cousin Marty who used to be.

So that was that Thanksgiving where he told that story at the dinner table. And I was like, how in the world do we not know this already? Like what are you doing?

So it was kind of funny. I'm like, oh, perfect. I'll just read a series of cases Frank Falzone worked on during his career as a homicide detective.

It's San Francisco Homicide Inspector 5 Henry 7. My inside story of the Night Stalker, City Hall murders, zebra killings, Chinatown gang wars and a city under siege.

Pick it up wherever you buy your indie books.

He titled the shit out of that book.

day after night, night after day, the dancers continued with their delirious motions. One can picture them in late July, 1518, eyes unfocused, faces turned up to heaven, their arms and legs moving with fatigue and their shirts, skirts and stockings soaked with sweat.

we can be fairly sure that most of the dancers had the lined faces, deep set eyes, coarse gray clothes, loose blackened or missing teeth and the stinking breath that spoke of the hardships of the lowest cast.

So he says that it's almost certain that the majority of the dancers in Strasburg were poor, the ones who had been suffering the most for the past several years.