The book explores the relationship between performance and audience, particularly within Black performance, and examines how audiences often try to categorize performers based on their expectations rather than the performers' multifaceted identities. It highlights the complexities of Black performance and the ways in which white audiences sometimes fail to fully appreciate or understand it.
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So much of Little Devil's project is uplifting stories and narratives of Black performance and Black performers in ways that they were not afforded by white audiences because of the sometimes narrow lens of the scope of a white audience that feels interested and invested in distilling a Black performer down to their needs, right? The white audience's needs and that's it.
But I do think that it does hover around that. I mean, that's a, if anything, it's a bit of an extended metaphor that has extended through decades and lifetimes. And, you know, this is a country that does not know how to, I think, adequately and effectively celebrate and uplift the fullness of a Black person's living, unless they have died or been killed or done something extraordinary that serves empire.
And you put that action of audience, that action of white audience under the spotlight so powerfully in this latest book.
the footage is raw, which means that there are cameramen scurrying around and all kinds of helpers moving in the background. But what that also means is that in its purest form, there is an audience of black people in direct conversation with what they're witnessing uninhibited and unafraid of anyone who might demand that they quiet themselves.
I'm such an audience watcher because I really love, be it for films or for concerts, I really love seeing how people are impacted and affected through a moment of shared witnessing.